Showing posts with label competiton. Show all posts

My Moon Under Water

Better late than never. Inspired by George Orwell and the topic of the Christmas competition, here's my 'Moon Under Water' - an ideal pub henceforth to be known as the Fat Cock Inn.


My favourite public-house, the Fat Cock Inn, is an hour’s stiff walk uphill from where I live. In summer this allows for a brisk ramble to build up a thirst and a casual gambol back downhill to home. There’s no car park or bus stop, but the landlord will happily pick you up and drop you home if the weather (or your constitution) turn inclement.

It has atmosphere and character. The atmosphere is not painted on the walls. The clientele *are* characters and they *have* character.

The architecture and fittings are eclectic and functional. A hard-wearing pewter bar fills one side of the long main room. Etched glass screens surround the adjacent parlour. Old, stained, woodwormy oak panels shroud the snug. Settles and stools topped with hand-sewn sagging cushions are found everywhere. Underfoot, worn red tiles and bare boards tell tales of beer and blood split over generations. A cracked beam, recovered from the wreck of a Spanish galleon, is spliced into the sagging ceiling and has a rusted cutlass thrust into it. Only the Minton tiles in the toilet corridor and stained glass above the potstands exhibit frippery. But both were rescued from a mid-terraced pub long since levelled and built over. A slate mantle stands over a log fire which roars in the winter and fills with fresh flowers from the garden in the summer.

A new dartboard sits flush to the far wall, a steel rule sunk into the floor for an oche. Close inspection of the upturned brewers barrels-turned-tables in the bar reveals the old dartboards are recycled as table-tops. A bar billiard table adorns the opposite corner, although none of the regulars ever seem to play it. Playing cards are behind the bar, but only venture out for the landlord’s rigged poker games after closing.

In the Fat Cock Inn, it is the banter (or lack of) that provides the soundtrack. Customers may share gossip and a dirty joke at the bar; settles on the far side are for solitary crossword solvers who do not wish to be disturbed. Music will only be allowed on three occasions – Jimmy Page wishing to play ‘Kashmir’ on acoustic guitar, Steven Isserlis wishing to play Bach cello suites and the whole bar joining in a rousing chorus of ‘Swing Low, Sweet Chariot’ in the unlikely event of England winning the William Webb Ellis cup again.

Three kinds of staff are found behind the bar. At lunchtimes, topers are bossed along by a blousy divorcee. She may wear eyeliner of a shade last seen in the 1960’s but she has a heart of gold which is often broken by some rogue. When this happens, regulars will volunteer to pour paint stripper over the offender’s car bonnet. Evenings are often staffed by a succession of doe-eyed students with impossibly pert breasts. Sadly, just as they finally learn to pour a decent pint they leave due to exam failure/charity work in Azerbaijan/contracting chlamydia. Every now and again, a thin man with big hands appears from the cellar and, if he really has to, will pull you a pint. He's ex-military - he really is, because he genuinely doesn't want to talk about it.

The landlady is short, feisty, commands respect yet on darts night she swears like a docker. The landlord is broad shouldered, badger-bearded and always right. He keeps good beer, he keeps good order and never, ever goes round the ‘wrong’ side of the bar. He is grumpy in a curmudgeonly uncle kind of way. He only knows three jokes, all filthy and one positively litigious, but you still laugh like a drain when he tells them. He won't lend you a tenner or let you run up a tab, but he will put a bottle of scotch on the bar when the last-of-the-out-of-towners finish their crisps and dissolve into the midnight air.

Unlike most pubs, the Fat Cock Inn doesn't sell cigarettes (the machine was sent back just after the smoking ban). But you can buy a few useful things; eggs by the half-dozen, strawberries in the summer, fruit cakes in winter.

Three things are banned at the Fat Cock Inn: children, smoking and mobile phones. And woe betide any GPS-misled rep who tries to fire up a laptop in the parlour.

You cannot get dinner at the Fat Cock Inn, but there is always pork pie, cubed cheeses, pork scratchings, Seabrooks crisps, cashew nuts, chutney and pickled beetroot.

If you want a three course meal, staff will gladly point you down the corridor. There you will find a door that leads to a path that runs to a road that twists three miles to the next village where there's a barn-sized pub that's been ruined by diners drinking coffee.

Cask beer is served into pint pots, cider and perry into stoneware mugs. Bottled beers are poured into plain glasses that suit the beer style. Hanging from the ceiling are a wide variety of tankards; none are for show, all are used by regulars. Leather, pewter, porcelain and crystal reflect the tastes and eccentricities of their owners.

The great surprise about the gardens at the Fat Cock are that there are so many. A flagstoned patio by the back door has solid wooden chairs, loveseats and sturdy tables - no toper traps. Flowers and hops cascade down the trellises that line a gentle slope up to a rose garden. Past these shrubs, a lawned walled area offers a suntrap in the summer and respite from the wind in the winter. A pentanque pit can be found via the secret door in the far wall. All around the gardens, pots of herbs are studded about, offering ever-changing aromas through the seasons. No-one - not even the pipe-wielding landlord - is allowed to smoke outside.

A few animals can be found around the Fat Cock Inn. The landlord's dog, a lugubrious chocolate Labrador named Rollo, usually has to be shooed out of the snug in the winter. In the summer, it plays dead on the patio outside. Ever since an unpleasant incident involving a docile daschund and a hyperactive Staffie terrier, customer's dogs are no longer welcome. In a corner of the walled garden, the landlady keeps a few chickens (hence the eggs for sale on the bar). There's a fat cock, of course, but he's stuffed and lives under a bell jar in the parlour.

For those with hangovers or with anti-biotic addictions, bottles of Fentimans soft drinks are available. For everyone else, beer choice is straightforward. All year round, three beers are kept: a house bitter (light in colour and malt), a best bitter (malty yet fruity) and an IPA (properly hoppy and over six percent). As the seasons change, so does the fourth barrel on stillage: a mild in spring, a cask lager in summer, a porter in autumn and a stout in winter. All are sourced from a local microbrewery. Every now and again, a nine of something experimental turns up. All are served on gravity. Bottled German or Czech lagers are available, as are unusual Belgian, Amercian and Scandinavian beers. Cider and perry are available in season and chosen by the landlady, who's a real fan - the landlord says that his other half loves a Fat Cock Inn Cider on a Friday night.

But now is the time to reveal something which you, dear toper, will probably have guessed already. There is no such place as the Fat Cock Inn. But they have a website coming soon...

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Competition time!

This Scrooge Scooper has teamed up with beermerchants.com to offer a case of beer as first prize in this site's first competition.


You may know the article by George Orwell describing his imaginary perfect pub, The Moon Under Water. I'd like to know the ten qualities you look for in your perfect pub. Post them up here as comments. Or email to me using the address listed under the 'Contact US' tab. The one that tickles me the most will win a case of beer courtesy of beermerchants.com. Extra special random bonus beer prizes may be available if someone comes up with a particularly leftfield selection.

To enter, you need to be UK resident and over 18. Entries to be posted in by midnight Thursday 18th December - winner will be sent the beer in the new year (postage to UK addresses only). Don't forget, you've got to be in it to win it so crack open a bottle and start posting!


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Toper Talk: And The Winner Is...

In this new weekly column, Toper Talk delves into the shenanigans surrounding 'best beer' awards. Castle Rock, as seen here, were rightly proud to have Screech Owl crowned as the SIBA Midlands Supreme Champion beer. But should one-offs like this be allowed to win regional championships? What about American festivals where brewers pay to enter a competition? And does the plethora of awards end up devaluing the truly great beers that deserve praise and recognition. Read on, dear toper....

I was at Nottingham beer festival last week and was surprised to see that Screech Owl had won the Midlands round of the SIBA championship. Surprised as I didn't think it was that great - good, but not award-winning. Other drinkers were surprised, though, that a monthly special had been allowed into the competition. As it happens, Castle Rock have announced plans to re-brew the beer following its success. But what if it won in the national awards and no-one was able to buy it? Would it be fair to generate demand for a beer no longer readily available? Or would the award-winning status spur the brewer back into production, given the clear commercial potential that the award would confer?

Some fellow brewers were dischuffed, too. One grumbled to me that he could have 'ramped up' a recipe and produce a one-off to attract the judges' palates. But this sounds like a case of sour hops - many brewers entered seasonal beers alongside their regular fayre. And if you exclude a beer only brewed for a month, what about those only brewed for 4-6 weeks? Or for the summer? Or those only brewed with fresh seasonal ingredients?

Perhaps it's a case of Castle Rock playing a canny game - again. I recall a certain one-off beer of theirs called 'Trammy Dodger' that won the same award back in 2004 - with its success leading to it becoming a regular brew, Harvest Pale. What better way to test the market that entering a new beer into competition and gauging the reaction, both critical and commercial?

Fair play to Castle Rock and Screech Owl. Not my favourite in the Strong Bitter section (Potbelly's Crazy Daze would have taken my vote) but I see nothing wrong with a monthly special winning in a blind tasting. At least the eight categories had some clarity. Most dark beers seemed to be lumped together and bitters were split into four groups according to strength. CAMRA add a few more categories in to split up the black stuff and give golden ales a home of their own. But some competitions seem to keen on awarding medals to almost every man with a mash tub and a half-arsed style.

The recent Great American Beer Festival had a competition split into 75 beer categories. I'll have to type that again, as I still don't believe what I've just written. Seventy-five. Six categories of stout, not including those judged in the coffee, strong or barrel-aged sections. CAMRA manage with, er, one category. And that's shared with porter. Which is practically the same style anyway...

And it gets worse. It's pay to play at GABF. Some smaller brewers don't stump up the green for the 'privilege' of taking part, as the expense of 'competing' wouldn't make business sense, even if they won a medal. They probably don't have the dollars to enter the World Beer Cup either. Billed as a competition to "celebrate the art and science of brewing by recognizing outstanding achievement", they certainly recognise the $160 entry fee per beer that they charge, plus the cost of air freighting up to twelve bottles. But with an eye-watering 91 categories awarding gold, silver and bronze, there's plenty of medals available.

At least it's only the beer that's being judged. The International Beer Challenge, for 'packaged' beers, awards 40% of its marks on the packaging. The Best of British Beer award honours only those beers sold in Cask Marque pubs. And don't get me started on the Beautiful Beer awards which seem more concerned with flogging a plaque to licencees than awarding the beers.

Too many awards, driven by commercial concerns rather than beer quality, devalue the hard work of the best brewers. If price is a barrier to entry, competitions lay themselves open to criticism that fatter bankrolls could lead to more gongs. All this makes the huffing about 'allowing' beers in the UK to be judged seem rather quaint.

I've never paid a jot towards the likes of the World Beer Cup. In truth, I'm not even bothered by who wins what at CAMRA level. It certainly doesn't sway my opinion at the bar when I see 'Champion Beer' tags wrapped around a pump clip (too many of those fluff on about gongs long since won). Awards? I'd scrap the lot of them and let the drinking public make up their own minds.

Yes, I am a beer judge. At every festival and every bar I visit - every consumer is. I'm paying to play and that's fine by me. It could be a special mix, an established brew or a rocking-horse-shit-rare bottle. I drink my beer and make my choice. And the winners are shoved only down my throat and no-one elses.
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